Hazlitt's polarizing of history and pleasure is echoed in Shakespeare's Henry V when the Archbishop extols Henry's rhetorical gifts: Premised on the antagonism between history's "real ground" and the imaginative pleasures of tragedy, Hazlitt's meditation reveals a tension that underlies much discussion of Shakespeare's history plays. Partiendo de la premisa de que el cine es, y debe ser, un vehículo de crítica social, intentaremos ofrecer una explicación para dichas divergencias. Para ello llamaremos la atención sobre las diversas estrategias, tanto formales como estructurales, que Olivier impone a su obra con la intención de adaptarla al contexto post-bélico de los años 40, y compararemos dichas estrategias con las empleadas por Branagh en su versión, claramente más cinemática. Resumen: Este trabajo pretende explorar las relaciones intertextuales que se establecen entre ambas películas con el fin de exponer la manipulación de sus directores, motivada por el contexto en el que las producen. Pointing out some of the various formal and structural alterations that Olivier imposed on his Henry V to make it a proper film for a post-war moment, and comparing them to Branagh’s openly cinematic interpretation, we will try to reflect upon the plausible reasons for such divergences, bearing in mind that cinema is, and must be, a vehicle of social critique. ONCE MORE UNTO THE BREACH DOWNLOADBoth download and print editions of such books should be high quality.This paper intends to explore the intertextual relationships established between both films in an attempt to expose the context-specific manipulation done by Olivier and Branagh. Most newer books are in the original electronic format. Also, their file size tends to be smaller than scanned image books. These ebooks were created from the original electronic layout files, and therefore are fully text searchable. We mark clearly which print titles come from scanned image books so that you can make an informed purchase decision about the quality of what you will receive. The text is fine for reading, but illustration work starts to run dark, pixellating and/or losing shades of grey. It's the problem of making a copy of a copy. Unfortunately, the resulting quality of these books is not as high. We essentially digitally re-master the book. Also, a few larger books may be resampled to fit into the system, and may not have this searchable text background.įor printed books, we have performed high-resolution scans of an original hardcopy of the book. However, any text in a given book set on a graphical background or in handwritten fonts would most likely not be picked up by the OCR software, and is therefore not searchable. The result of this OCR process is placed invisibly behind the picture of each scanned page, to allow for text searching. ONCE MORE UNTO THE BREACH PDFMost older books are in scanned image format because original digital layout files never existed or were no longer available from the publisher.įor PDF download editions, each page has been run through Optical Character Recognition (OCR) software to attempt to decipher the printed text. These products were created by scanning an original printed edition.
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